The theme of love transcending appearances is a popular one in fairy tales, and Yen Press’ Sacrificial Princess and the King of Beasts fits that genre. The fantasy manga tells of the relationship between a girl and her beastly fiance, and you can read on for the review of Volume 7. (For reviews of other volumes, click here.)
Back Cover Blurb
At last, Sariphi is able to carry out her first official job as Acting Queen Consort-giving a royal blessing to the newborn prince of the nation of Sarbul. That same night, Leonhart whisks her away to a place far from prying eyes. Once they’re alone, he tells Sariphi of his tumultuous past, which only deepens their bond. But just when Sariphi believes she and Leo can overcome anything together, a new duty may pull the two apart…
The Sarbul arc looked pretty much wrapped up with Sari and Leo rescuing the brash Princess Tetra. However, it extends two more chapters. As it turns out, the neglect suffered by Tetra not only allows Sari a path to reach out to the lonely princess, it dredges up painful childhood memories for Leo.
The mystery of Leo’s human form has been a mystery from the start. When I read on the back flap teaser that Leo “tells Sariphi of his tumultuous past,” I eagerly expected to learn the secret behind his parentage.
Unfortunately, that secret remains one. Turns out Leo has no siblings and no memory of his mother. He’s completely ignorant of his human origins, but his father was fully aware of and took pains to hide that aspect of Leo. Thus, we merely get more cold-hearted parenting and awful childhood memories, which is turning into a repeated theme for this series.
We then get a single-chapter interlude of Sari expressing her love and concern for Leo through the timeless medium of food before the story moves on to her next assignment as acting queen. This challenge is twofold. One, she must ratify the new lord of the city of Maasya without Leo’s company. Two, she must select a captain to lead her personal bodyguard.
I thought Anubis had softened somewhat towards Sari, but the manner in which he foists this task onto her indicates otherwise. Despite the supposed importance of the captain selection, Anubis gives Sari virtually no time to make her choice before rushing her out the door to Maasya. At any rate, we get new character Lante added to the cast.
Lante is a hyenafolk, whose tongue perpetually hangs out in a really distracting way. That aside, he draws nearly as much suspicion as Sari. Once more we get a chunk of hitherto unknown history and prejudices within Ozmargo. While it’s fine that Lante is a bit of a double edged sword, Sari’s personality feels inconsistent in her interactions with him. With Tetra, she was a trusting fluff-head who couldn’t interpret Tetra’s vindictive actions as anything but play. With Lante, she’s aware of his sketchy motivations from the get go and makes the conscious decision to trust him in spite of everyone else’s doubts. At any rate, she’s well on her way continuing the pattern of winning beastfolk hearts despite their universal hatred of humans.
Extras include embedded author’s notes about the characters, bonus sketches, and the bonus manga, “The Beast Princess and the Regular Servant.”
We get a glimpse of Leo’s childhood but, disappointingly, no revelation on his human roots. Rather, Tomofuji-sensei gives yet another portrayal of a rejected child before continuing with Sari’s next challenge. Although the test ostensibly is to execute royal duties without Leo’s supportive presence, ultimately it boils down to the same formula of her conquering beastpeople’s prejudices about her.
First published at the Fandom Post.