Rich, handsome young men, each with his own distinct personality…this type of bishounen cast is a staple in shojo manga. And if you like yours with a generous helping of chibi humor, you should definitely check out Higasa Akai’s The Royal Tutor. Read on for my review of Volume 13. (For my reviews of other volumes click here.)
Back Cover Blurb
The ongoing troubles at Café Mitter Meyer leave Licht feeling helpless as he witnesses firsthand the hate directed at his master for his Kvel ancestry. Infuriated by the kingdom’s ugly dark side, Licht realizes he has an opportunity many do not: the power to enact change from the highest level of government, the throne itself! With his return, all four brothers are reunited in the palace. They have all been transformed by their experiences apart, and each is more determined than ever to rule for the betterment of Granzreich!
The first half of Volume 13 is Licht centric. He’s been absent from recent chapters so Akai-sensei’s making it up with an extended arc where he’s the star and the guards Ludwig and Maximillian form the supporting cast. Like most Licht stories, it centers around the café, and like his brothers, Licht hits upon a turning point during their time apart.
A new element introduced at the close of Volume 12 is the existence of ethnic minorities within the kingdom. Volume 13 fleshes out that dynamic further. Kvels appeared to be modeled after the Jewish people, and considering how this world resembles 19th-century Europe, the picture of discrimination it presents isn’t difficult to grasp. It is, however, a shock for the privileged and mostly sheltered Licht.
Unlike the libel incident against Kai, the vandalism against the café is left unresolved. On one hand, it’s frustrating not to reach a resolution. On the other hand, it is a realistic outcome and one that wakes Licht up to the inequity that exists in his country. Thus the youngest prince discovers motivation to embrace the role he was born to, and Akai-sensei leaves the door open for this vandalism incident to reemerge at a later time.
At this point, Heine’s not only won the respect of his four pupils, but he’s leveled them up as candidates for the throne. Thus, the focus turns to the throne’s heir apparent, Eins, who poses with the Royal Tutor on this volume’s cover.
While the younger princes are technically competing with their eldest brother, most of the conflict has arisen between Heine and Count Rosenberg. Rosenberg’s position as Eins’ head steward would lead one to believe his actions are driven out of a desire for personal gain, but an unusually frank conversation between Heine and Rosenberg and a walk down memory lane with Kai reveal that the relationship between the count and Eins is deeper and more complicated. And with Eins acting strangely following his much-anticipated betrothal to a neighboring princess, Akai-sensei’s got me insanely curious as to what his fatal flaw might be.
Extras include bonus manga and illustrations and the first page printed in color.
The troubles at Café Mitter Meyer take on an ugly tone. Although Licht is determined to stop the culprit, he eventually realizes that the problem is beyond what an ordinary café worker can handle. Thus, he embraces his princehood and returns to the palace with a new purpose. With that, all four brothers are reunited in time to receive news of their eldest brother’s engagement. Akai-sensei finally reveals more information about Eins and Rosenberg, but those details serve to raise more questions, leaving me eagerly anticipating the next volume.
First published at The Fandom Post.