Natsuki Takaya’s Fruits Basket was one of the most popular shojo titles in the United States in the previous decade. Now Yen Press has released Takaya-sensei’s Liselotte & Witch’s Forest, which showcases the mangaka’s distinctive art style, a new upbeat heroine, and a fantasy setting. Read on for the review of Volume 5 (For reviews of other volumes, click here).
Back Cover Blurb
In her exile to the east of the east of the east, Liselotte’s rambunctious house attempts to coexist with the witch’s forest. Hoping to break down the seal Vergue has cast, Anna ventures out on her own to pay the witch a visit. Despite a being hurt by humans in the past, can Anna convince Vergue to give people another chance, and to live among them again? Meanwhile, Lise is shocked by a familiar looking visitor surveying the nearby village.
In Takaya-sensei’s previous series Fruits Basket, there were a lot of antics and silly interactions, but once you got to know the characters, you discovered each one carried deep trauma. If you enjoy that sort of story, you can eat your heart out in Volume 5 of Liselotte and Witch’s Forest. The previous couple volumes delved into Liz’s tragic past, and now we shift to the rest of the cast, starting with En.
Given his memory loss, he doesn’t have much past to dwell on. The bits he retains suggest a desperate existence before he entered the Berenk household. However, his current circumstances aren’t particularly ideal either, as an interaction with the Eiche spirit reminds us. This is the first time we really get to delve into En’s thoughts, and there’s dark humor in his blunt assessment of Liz and his utter incomprehension of why he was so devoted to her.
Next up are Anna and Vergue. Liz is determined to befriend Vergue despite his attack on the house and repeated rejections, but interestingly, she’s not the one to crack through Vergue’s shell. On the surface, ever-smiling Anna doesn’t have anything in common with the irritable male witch. However, she recognizes the similarities they bear, and when she tells Vergue about the upbringing she and Alto suffered, it’s a confession, a rebuke, and an invitation for him to strive for something better.
The POV then switches from Anna to Vergue. We don’t get as many details on his wretched past but like the twins and Liz, he suffered undeservedly when he was a human. However, Anna’s words do impact him, and it shows in his actions, even if his speech and manner remain prickly as ever.
The focus then returns to the main character with Liz hearing about Heil Village’s spring festival. While it is strange how Liz’s companions unanimously encourage her to see it, the trip there gives Liz and En a chance to be alone. It also allows Liz to cross paths with Richard, the brother that exiled her. Liz’s guilt at seeing her brother isn’t too surprising, but what is surprising is En’s displeasure over the situation, especially since he’s lost his memories of Richard. If a visit from the regional lord isn’t enough, Woglinde, the true witch of the frontier forest, also returns home. With so many powerful characters in Heil Village, I’m anticipating something big in the works.
Extras include four illustrations in full color, story-thus-far, character line-up, and embedded author’s notes.
If you like characters who bear the scars of abuse and rejection, you will have much to enjoy in this volume. If you prefer lovey-dovey moments, you’ll find a beautifully illustrated romantic scene between Liz and En, although En’s behavior is somewhat perplexing given his evaluation of Liz in the volume’s opening pages. There’s not much brawling in these pages, but with the arrival of Liz’s brother and the return of the witch Woglinde, the stage seems to be preparing for something big.
First published at the Fandom Post.