Tag Archives: manga review

Manga Review: Master Keaton Vol. #11

I became an instant fan of Naoki Urasawa in 2004 when I saw the Monster anime. Psychological thrillers are definitely NOT my cup of tea, but he had me hooked with his combination of realistic artwork and gripping plot. As such, I was thrilled when Viz Media decided to release a translation of an earlier Urasawa action/adventure: Master Keaton. Read on for the review of Volume 11. (For my reviews of previous volumes, click here.)

Back Cover Blurb

After the Cold War draws a curtain over Europe and the economic bubble bursts in Japan during the late twentieth century, ace insurance investigator Taichi Hiraga Keaton brings his skills into full play… No matter how difficult the case, Keaton will not miss a clue!

The Review

The quality of the Master Keaton stories has gone up and down since the early volumes, and in Volume 11, it’s more down than up. The one solid story is the three-part “Made in Japan.” Daughter Yuriko, now 17, reappears as she and her dad meet up for quality time in Scotland—at an archeological tour. The story combines several things: their parent-child relationship, Keaton’s unfulfilled dreams of being an archaeologist, his SAS skills, and Keaton’s dangerous career impacting his family. This last element is a situation we haven’t encountered before, and that makes it more gripping than the usual scenarios where Keaton is a passerby.

Domestic drama figures largely in the other stories, but Keaton isn’t personally involved so it’s a bit like watching episodes of unrelated soap operas. In “The Final Challenge,” an old schoolmate asks Keaton to track the whereabouts of another schoolmate, but the story is really about the tangled family situation the two men created. “Lost Beyond the Wall” is partly a commentary on the former East Germany after reunification, but it’s mostly Keaton driving a man around as he expresses his regret about how he ruined his family. “Love from the Underworld” begins as a mystery but quickly turns into a tale of another broken family, and when Keaton reveals the trick behind the” ghost,” you have to wonder why anyone was fooled. Wacky Mrs. Barnum shows up again in “Return of the Super Sleuth?!” and as in her previous appearance, the murder she investigates with Keaton is just a platform for her to nag about how he doesn’t understand romance and women. Keaton doesn’t have a part at all in “Two Fathers,” which features his dad instead, but that story is really about two brothers and which fathered the child of the woman both men loved.

While the two-part “Pact on Ben Tan Mountain” also contains an extramarital affair, the greed and grudge motivating the murders lend it additional substance. Unfortunately, there is too much coincidence in the chain of events to make it a satisfying read, especially the way Malcolm proposes the murder pact but Jackson is the one to take advantage of it. In addition, there are so many characters crammed into the story that I had trouble keeping all the names and connections straight.

Extras include four pages in color, four pages partly in color, and a sound effects glossary.

In Summary

Spunky young Yuriko joins her father for bonding time. While their archaeology tour tuned kidnapping makes for an exciting episode, the same can’t be said for the other stories. They’re not so much about intrigue or Keaton’s unique skills as they are about muddled domestic situations, making this volume feel more like a soap opera than a collection of mysteries.

First published at the Fandom Post.

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Manga Review: The Royal Tutor Vol. 2

Rich, handsome young men, each with his own distinct personality…this type of bishounen cast is a staple in shojo manga. And if you like yours with a generous helping of chibi humor, you should definitely check out Higasa Akai’s The Royal Tutor. Read on for my review of Volume 2. (For my review of Volume 1, click here.)

Back Cover Blurb

When the king returns to court, it’s time for the princes to prove their mettle. But not everyone’s been exactly keeping up with Heine’s lessons… (Hint: It’s the prince who only scored a one on his assessment test…and that was for signing his name!) Can Heine really whip these boys into shape well enough to rule a country?

The Review

Volume 1 presented our princely cast and their tutor, and now that the characters have been introduced, lessons can begin in earnest, starting with a field trip into town. That might seem like a strange place to begin, until we learn that only resident playboy Licht has any common sense about how to behave around commoners. Haughty and academically-challenged Leonhard easily lends himself to be made the fool, but all the princes provide something different to laugh at during their outing. In addition to the setting highlighting their foibles, they get to wear something other than their usual uniform-like garb, and readers get a sense of the type of city Weinner is.

Next, we meet the man who literally rules the place. There’s been no mention or sign of a queen (other than the granny Queen Mother), but there’s definitely a king. Given that 17-year old Kai is the second eldest son, I expected the king to be past his prime. Instead, he is a longhaired bishounen who could easily pass for one of his sons. His personality also veers more towards sentimental than kingly. Even so, he’s serious when he must be, and he and Heine share a past that they’re keeping from the princes.

Meanwhile, the princes are surprisingly eager to make their father proud. Given that they’ve driven so many tutors from the palace, I thought they would be more troublesome, but when the king points out areas of improvement, the princes immediately get to work on it. In addition, although the princes are rivals for the throne, they are more than willing to help each other out. So when the king threatens to strip Leonhard of his claim to the throne because of his awful test score, his brothers try to help him learn. When Kai expresses a desire to interact better with people, the other princes offer suggestions and encouragement. Thus, the story includes jokes about Leonhard’s epic stupidity and comic visuals of Kai’s attempts to be approachable, but backstabbing doesn’t play a part. As exemplified in Chapter 12 (the only chapter in this volume with no equivalent in the anime), the princes are brothers first and deeply care for one another’s well-being.

By the way, the quality of the illustrations remains top notch, with the style switching between elegant and chibi as the scene demands.

Extras include bonus manga printed on the inside of the cover flaps; first page printed in color; a note from the creator; and translation notes.

In Summary

Despite the appearance of the king and talk of rivalry and succession, the mood remains light and fun with the princes going to town, then striving to improve themselves as candidates for the throne. Though Leonhard tends to draw the spotlight with his outspoken personality and staggering stupidity, Akai-sensei does a good job of helping us to get to know all the princes. As of yet, there’s no overarching goal other than Heine whipping them into shape, but for the moment, that’s entertaining enough.

First published at The Fandom Post.

Manga Review: Handa-Kun Vol. 6

Fans of Satsuki Yoshino’s Barakamon can now get even more Handa-centric comedy. Yen Press has released Handa-Kun, a prequel series which chronicles the high school days of our favorite genius calligrapher. Read on for my review of Volume 6. (Click here for reviews of other volumes).

Back Cover Blurb

Handa-kun and company have survived the class trip, but now the culture festival is right on top of them! Will Handa get to contribute to the festival preparations, or will the culture festival be his biggest high school frustration yet?

The Review

The previous volume mentioned that this would be the final volume in the series. As it turns out, Volume 6 is the penultimate, not the final volume. The Handa-kun News at the end of the book explains that, due to popular demand, a seventh volume with an extra arc will be released as the last in the series. However, the structure of Volume 6 is very much that of a finale.

A single arc focusing on the school’s annual cultural festival comprises this book. Three chapters are about the festival preparations, two chapters about the event itself, and one about the festival after-party. Because the entire school is involved in preparations and the festival is an open event, it provides the perfect setting to revisit the impact HND-syndrome has had on the cast, even the White Shirts from the rival school. Thus, seemingly everyone, from fortuneteller Tsugumi to the carnivore girls, gets a cameo, like in so many manga and anime finales.

The setting also lends itself to some comical visuals, ranging from various Handa themed games to the fake Handa’s Handa Clone Army. In addition, we get the novelty of seeing Handa’s class in period crossdress for their drama cafe.

Unfortunately, the plot is lackluster. Yoshino-sensei has relied heavily on Handa and his fans misinterpreting one another throughout the series for laughs, and getting more of the same at this point is rather tiresome. The drama cafe play is an inane interpretation of Romeo and Juliet with a badly selected cast, which is a situation that has been done to death in anime/manga. The introduction of the “black suits” makes things interesting for a while, but then it just gets confusing when they reveal why they’ve come to the festival.

As for the conclusion to the arc, Kawafuji’s remorse and efforts to rectify the situation are believable. The final resolution is not. After several volumes of reinforcing Handa’s paranoia of his classmates, the sudden collapse of the “Handa wall” feels like cheating.

Extras include the title illustration in color, bonus manga, translation notes, and an installment of “Handa-Kun News.”

In Summary

It’s not the final volume of Handa-kun, but it’s definitely written like one. The school festival provides a recap of Handa’s impact on his adorning fans. However, many gags are just variations of jokes we’ve seen before. A seventh volume follows this one, but it already feels like the series has gone on too long.

First published at The Fandom Post.

Manga Review: Liselotte & Witch’s Forest Vol. #5

Natsuki Takaya’s Fruits Basket was one of the most popular shojo titles in the United States in the previous decade. Now Yen Press has released Takaya-sensei’s Liselotte & Witch’s Forest, which showcases the mangaka’s distinctive art style, a new upbeat heroine, and a fantasy setting. Read on for the review of Volume 5 (For reviews of other volumes, click here).

Back Cover Blurb

In her exile to the east of the east of the east, Liselotte’s rambunctious house attempts to coexist with the witch’s forest. Hoping to break down the seal Vergue has cast, Anna ventures out on her own to pay the witch a visit. Despite a being hurt by humans in the past, can Anna convince Vergue to give people another chance, and to live among them again? Meanwhile, Lise is shocked by a familiar looking visitor surveying the nearby village.

The Review

In Takaya-sensei’s previous series Fruits Basket, there were a lot of antics and silly interactions, but once you got to know the characters, you discovered each one carried deep trauma. If you enjoy that sort of story, you can eat your heart out in Volume 5 of Liselotte and Witch’s Forest. The previous couple volumes delved into Liz’s tragic past, and now we shift to the rest of the cast, starting with En.

Given his memory loss, he doesn’t have much past to dwell on. The bits he retains suggest a desperate existence before he entered the Berenk household. However, his current circumstances aren’t particularly ideal either, as an interaction with the Eiche spirit reminds us. This is the first time we really get to delve into En’s thoughts, and there’s dark humor in his blunt assessment of Liz and his utter incomprehension of why he was so devoted to her.

Next up are Anna and Vergue. Liz is determined to befriend Vergue despite his attack on the house and repeated rejections, but interestingly, she’s not the one to crack through Vergue’s shell. On the surface, ever-smiling Anna doesn’t have anything in common with the irritable male witch. However, she recognizes the similarities they bear, and when she tells Vergue about the upbringing she and Alto suffered, it’s a confession, a rebuke, and an invitation for him to strive for something better.

The POV then switches from Anna to Vergue. We don’t get as many details on his wretched past but like the twins and Liz, he suffered undeservedly when he was a human. However, Anna’s words do impact him, and it shows in his actions, even if his speech and manner remain prickly as ever.

The focus then returns to the main character with Liz hearing about Heil Village’s spring festival. While it is strange how Liz’s companions unanimously encourage her to see it, the trip there gives Liz and En a chance to be alone. It also allows Liz to cross paths with Richard, the brother that exiled her. Liz’s guilt at seeing her brother isn’t too surprising, but what is surprising is En’s displeasure over the situation, especially since he’s lost his memories of Richard. If a visit from the regional lord isn’t enough, Woglinde, the true witch of the frontier forest, also returns home. With so many powerful characters in Heil Village, I’m anticipating something big in the works.

Extras include four illustrations in full color, story-thus-far, character line-up, and embedded author’s notes.

In Summary

If you like characters who bear the scars of abuse and rejection, you will have much to enjoy in this volume. If you prefer lovey-dovey moments, you’ll find a beautifully illustrated romantic scene between Liz and En, although En’s behavior is somewhat perplexing given his evaluation of Liz in the volume’s opening pages. There’s not much brawling in these pages, but with the arrival of Liz’s brother and the return of the witch Woglinde, the stage seems to be preparing for something big.

First published at the Fandom Post.

Manga Review: Liselotte & Witch’s Forest Vol. #4

Natsuki Takaya’s Fruits Basket was one of the most popular shojo titles in the United States in the previous decade. Now Yen Press has released Takaya-sensei’s Liselotte & Witch’s Forest, which showcases the mangaka’s distinctive art style, a new upbeat heroine, and a fantasy setting. Read on for the review of Volume 4 (For reviews of other volumes, click here).

Back Cover Blurb

Liselotte’s house in the east of the east of the east has become even livelier with the additions of the witch Hilde and her familiar, Myrte. But one day, Vergue, a witch who hates all humans, attacks the household to drive Lise and the others away! Why is it so difficult to live a peaceful life?

The Review

Till now, little information has been given about the place in which the characters reside. Now we learn that The Land East of the East of the East is part of Erstes, a country that once achieved military victory with the help of witches. Considering it’s already Volume 4, these basic details about Erstes are late in coming, plus the way they’re presented (in the form of a schoolchildren’s lesson) is rather heavy-handed. However, they do give us a clearer picture of the society from which Liz has been exiled.

This provides a good place to introduce our next new character. Captain Erwin is head of the frontier outpost near the witch’s forest. However, he’s originally from the capital where he served Liz’s brother. He not only monitors Liz’s activities but seems aware of the true circumstances behind her banishment. He also has his own power when it comes to witches. Despite the lazy front he puts up, he is definitely not an ordinary human, and given his complicated background, he’s likely to get into the thick of Liz and Engetsu’s future affairs.

In the meantime, Liz continues to bravely strive forward in her hinterlands life. For fans of Fruits Basket, Liz is definitely a Tohru-type heroine: a cheerful dimwit who remains intensely positive despite the tragedies in her life. She’s also able to connect with social outcasts, as evidenced by the six people now living in her house. Now that Hilde and Myrte are part of the family, it’s almost a given that Liz will find a way to draw Vergue in, despite his violent efforts to drive her away.

As for the romantic arc between Liz and En, there are a couple poignant moments between the two, but overall, the mood is more comic than sweet. En without memories is sarcastic and blunt, which makes him a lot more interesting than when he was so unconditionally agreeable toward Liz. Judging from a brief interaction with Erwin, this new En is closer to his true personality and hints about a past I’m curious to learn more about.

Extras include four illustrations in full color, story-thus-far and character line-up, embedded author’s notes, translation notes, and a nine-page preview of Volume 5.

In Summary

This volume doesn’t so much move forward as it delves backward. Lessons, remembrances, and flashbacks provide a better understanding of the factors separating humans and witches and the circumstances that brought our characters where they are now. So aside from Vergue wrecking Liz’s house, not too much happens in these six chapters, but they fill in a lot of holes in the story.

First published at the Fandom Post.

Manga Review: The Royal Tutor Vol. 1

Rich, handsome young men, each with his own distinct personality…this type of bishounen cast is a staple in shojo manga. And if you like yours with a generous helping of chibi humor, you should definitely check out Higasa Akai’s The Royal Tutor. Read on for my review of Volume 1.

Back Cover Blurb

Accepting the post of Royal Tutor at the court of the king of Grannzreich, Heine Wittgenstein is a little professor with a big job ahead! Each of the kingdom’s four princes has a rather distinct personality. Does their diminutive new instructor have what it takes to lay down some learning? It’s a comedy of educational proportions!

The Review

The Royal Tutor is an interesting take on the reverse harem genre. It includes several standard elements including four handsome princes and a luxurious, palatial setting. However, the protagonist is not a teenage girl through whom readers can live vicariously. Our main character is the princes’ tutor, Heine Wittgenstein.

Summoned to the royal palace by the King of Granzreich himself, Heine is charged with grooming the king’s troublesome younger sons into suitable candidates for the throne. Heine though is not your ordinary academic. Although he is an adult with a certain degree of weakness for female charms, he looks like (and is constantly mistaken for) a little boy. Yet his intellect is second to none, and he is physically capable of chasing down his much larger students. At the same time, his small stature causes all sorts of inconveniences, which affords ample opportunity for visual humor, and he occasionally gets handled like a plushie toy. In fact, Heine at times looks like a cute mascot for this princely lineup.

As such, there are no romantic overtones whatsoever between this teacher and his students. (In fact, the only females in the cast are the princes’ grandmother and three-year old sister.) Even so, Heine, like many reverse harem heroines, is able to win over these difficult bishounen in short order. Despite its late 19th century European setting, these princes have very modern sensibilities and of course extremely distinct personalities. Thus, we have Kai, the taciturn delinquent; Bruno, the rigid intellectual; Leonhard, the prideful athlete; and Licht, the frivolous playboy. These brothers have driven all preceding royal tutors to resignation, yet Heine is able to quickly discern the true natures behind their public facades and earn their acceptance.

Heine himself though is a bit of a mystery. For all his abilities, he has no formal credentials. And although he was summoned to the palace by the king, Heine has his own–and as of yet unknown– personal agenda for accepting the position. While this does make him more intriguing as a character, Volume 1 is for the most part lighthearted comedy stemming from Heine’s unusual appearance and abilities and the princes’ antics.

For those familiar with the anime, the storyline is not an exact match for the TV series, but it is pretty close. The artwork is clean and well-drawn with lots of chandeliers and Rococo style decor and dress. Character designs alternate between shojo-style bishounen and chibi-style for princes and tutor alike (although Heine gets chibified more frequently than anyone else).

Extras include bonus manga printed on the inside of the cover flaps; first page printed in color; a note from the creator; and translation notes.

In Summary

If you’re the type that enjoys princely eye-candy against a luxurious backdrop, you’ll probably like The Royal Tutor. This series is also worth checking out if you like light comedies with characters that don’t fit the mold. The bishounen princes are somewhat standard, but their tutor is in a class of his own in this near reverse harem comedy.

First published at The Fandom Post.

Manga Review: My Love Story!! Vol. 12

Takeo Goda, the male lead for Viz Media’s  My Love Story!!  is quite unusual. Bishonen tend to dominate the cast of shojo manga, but Takeo’s looks are about as far from a stereotypical pretty boy as you can get. Still, he possesses tremendous appeal in this hilarious romantic comedy. Volume 12 has been released, and you can read on for the review. (For my review of other volumes, click here.)

Back cover blurb

Tanaka, a boy who transferred to Takeo’s school, keeps hanging around Sunakawa for some reason. At first, Takeo thinks nothing of it, but when he hears that Tanaka is just using Sunakawa, he immediately goes to help his friend! And later, Takeo finds out some distressing news from Yamato! Will Takeo and Yamato actually be separated?

The Review

It was initially unclear where the plot was going with the introduction of fashionable transfer student Tanaka, but it winds up a hilarious arc that shows a hitherto unseen aspect of both Takeo and Suna. Takeo’s strong point since the very beginning is his popularity among other males, and Tanaka’s the first guy we’ve seen (other than the groper) that dislikes him. However, Takeo’s clashed with other boys before and actually has a proven strategy for turning enemies into friends. To be sure, this strategy is the sort a grade school kid would rely on, but that’s okay because Suna is acting a bit childishly as well. Suna’s definitely the most mature character in the cast, and despite all the crazy stuff Takeo drags him into, he’s never gotten really mad. Now we get to see what Suna is like with someone he seriously dislikes.

Meanwhile, Tanaka is a much more typical teenager, insecure in his relationships and obsessed with looking good on social media. I’m not sure if Tanaka’s chat group lies are meant to be social commentary, but when the three go out for a day trip and Takeo takes all of Tanaka’s posts at face value, the results are a riot. I’m not a fan of Aruko-sensei’s particular art style, but the expressions in this arc deliver huge comedic impact nonetheless, and I really wish I could see these chapters animated.

Then it’s back to Takeo’s love story and the next challenge for our main couple: the Yamamoto family is moving–to Spain! The announcement takes everyone by surprise, and although he’s crushed by the news, Takeo does his best to be a supportive boyfriend and reassure Yamato of his commitment to her even while they’re apart. Thus, Yamato’s last days in Japan go pretty much as one would expect–until she runs away from home! It’s a shock to everyone, Takeo included. But even though she’s been portrayed as a model daughter, her actions–though drastic–are not out of character. Still, it’s anyone’s guess how this arc will end, and I look forward to its resolution.

Extras include story thus far, two sizable bonus chapters, and notes from the creators.

In Summary

My Love Story!! hits another one out the park! As Takeo discovers, Tanaka is using others to achieve his own shallow goals, which sparks a near rampage out of our main character. However, what’s even funnier is Suna’s reaction when Tanaka airs his unfiltered thoughts about Takeo. It’s male bonding magic when self-absorbed superficiality collides with earnest friendship!

First published at The Fandom Post.

Manga Review: Everyone’s Getting Married Vol. 5

Most romances in Viz Media’s Shojo Beat line are targeted toward a high school audience, but Everyone’s Getting Married is actually aimed toward older readers. It’s twenty-something angst instead of teen angst, and you can read on for the review of Volume 5. (For the reviews of previous volumes, click here.)

Back Cover Blurb

Akito Kamiya has found out that Ryu and Asuka have been dating away from the public eye, but he hasn’t given up his pursuit of her. Ryu means to keep Kamiya in check, but instead a direct confrontation erupts between them!

The Review

The previous volume ended with Ryu and Kamiya looking like they’re about to brawl it out. However, this is an adult cast, and while boys might knock the snot out of each other over a girl in shojo manga, grown up men apparently handle such disputes by going to a bar and making snarky remarks over drinks. It wasn’t the clash I’d anticipated, but Kamiya’s comments do get under Ryu’s skin in a way that shakes his confidence.

Kamiya doesn’t let up either. He continues to finagle ways to be alone with Asuka, even coercing a date by threatening to make her relationship with Ryu public. Although Kamiya’s reasons for choosing her were coldly calculating, he’s not nearly so logical about accepting her refusal. While this might seem like a character inconsistency, Kamiya’s personality is so aggressive that it’s not. It’s questionable whether his feelings for Asuka can be accurately termed “love,” but his actions are certainly those of a competitive man who hates to lose.

And how does Ryu secure his claim on Asuka with such a rival? Sex and lots of it. The last volume was light on the bedroom scenes with rivals Kamiya and Yuko distracting our couple. Now Ryu’s pawing Asuka’s clothes off every time she has a run-in with Kamiya. As usual, the scenes aren’t too graphic, but Ryu does come off as inexhaustible the way he pounces on Asuka despite his supposedly grueling work schedule. And when Kamiya buys Asuka a pair of Altier earrings, Ryu responds with a spur of the moment trip to Kyoto and his own gift to Asuka. No, it’s not a wedding ring, but we do get to see our main couple in a traditional setting and relaxing for once.

Meanwhile, Yuko doesn’t do much in this volume. In fact, she looks like she might be dropping out of the love square entirely. Never fear, a new PTV character gets introduced as she steps away. Yuma Shimizu is a rookie reporter on Ryu’s news show. Although he’s definitely not a love interest for Ryu, he brings out a side of Ryu we haven’t seen before, and it remains to be seen how exactly he will affect the plot.

Extras include a 6-page mini-manga about Ryu.

In Summary

It’s two alpha males vying to get the girl in this volume. Kamiya takes every opportunity to monopolize Asuka, and in the face of such pressure, Ryu must bring his A-game to compete. Most of that involves sex, but based on their trip to Kyoto, perhaps wedding bells aren’t just wishful thinking on Asuka’s part.

First published at The Fandom Post.

Manga Review: Master Keaton Vol. #10

I became an instant fan of Naoki Urasawa in 2004 when I saw the Monster anime. Psychological thrillers are definitely NOT my cup of tea, but he had me hooked with his combination of realistic artwork and gripping plot. As such, I was thrilled when Viz Media decided to release a translation of an earlier Urasawa action/adventure: Master Keaton. Read on for the review of Volume 10. (For my reviews of previous volumes, click here.)

Back cover blurb

Taichi Hiraga Keaton is a busy insurance investigator who yearns to make a living as an archaeologist. Just how long does he have to continue working as an investigator? Keaton is uncertain of his future, but he does know that a string of difficult cases awaits him!

The Review

Those who enjoyed Urasawa-sensei’s Monster will like Volume 10′s two-part tale, The Village that God Loved. It’s got the elements of a good thriller–a seemingly peaceful village, detectives after a criminal on the loose, bizarre ”accidents.” It even has a creepy looking kid (whose expression is extremely reminiscent of Monster’s child twins) watching the events unfold. Because Keaton is involved, medieval history also gets worked into the story in a way that aids his escape from some tricky situations. Between the attacks on the detectives and the mystery shrouding the remote community, it’s a tight, engaging read.

The volume’s other two-part story Resident of a Lightless World also contains elements in common with Monster. Set in former East Germany, it has a cast that includes communists and Nazis, and bloodshed abounds with a serial killer on the loose. Ancient artifacts play a role, but a more recent antique and modern political history are the keys that help Keaton solve this case.

The rest of Volume 10 is an assortment of one-shots. Two involve novice investigators poking their noses into an assignment. In these situations, Keaton usually winds up bailing out the amateur, which is what happens in Volunteer Detective. However, in An Incident Among Women, that dynamic gets shifted around. Not only does the pushy old woman keep up with Keaton, she shows him a thing or two, and even though it involves a murder, the story is largely comedic.

For those who favor chases from armed bad guys, Keaton crosses paths with a target of the Russian mafia in Immortal, and in Detour, he protects a client hunted by former agents of the Romanian secret police. The remaining stories are largely misadventures that arise during Keaton’s personal time. Sadly for Keaton, a university position remains but a dream, and the only teaching he does in this installment is tutoring a rebellious child in Keaton the Home Tutor.

Extras include a sound effects glossary.

In Summary

Fans of Urasawa’s Monster will find much to enjoy in this installment of Master Keaton. A quarter of the tales involve the shadowy dealings of former Eastern European officials, and another story set in a remote village serves a delicious blend of of intrigue and action along with one really creepy looking kid. Our SAS-trained investigator contends against adversaries ranging from fanatical villagers to Russian mafia, but if you’re wanting to see Keaton at a lecture hall or archeological dig, you’ll have to look to another volume.

First published at the Fandom Post.

Manga Review: Barakamon Vol. 13

The contrast between city and rural life has been a source of entertainment since the time of Aesop’s fables. It remains a popular subject in manga and anime today, and joining the ranks of Silver Nina, Non Non Biyori, and Silver Spoon is Yen Press’ series Barakamon. Read on for my review of Volume 13! (For my reviews of previous volumes, click here.)

Back cover blurb

Tagging along on Handa-sensei’s visit home, Naru finally arrives in Tokyo! Trains, tall buildings, the zoo-the big city’s full of amazing first experiences! But what will Handa decide when his dad asks him to come back to Tokyo? Volume 13 promises growth, courage, and farewells!

The Review

The tables are turned when Naru joins Handa on a trip to Tokyo. Now he’s the regional expert, and she can barely comprehend her hectic surroundings. But while she makes an atypical guest in the Handa household, this arc is less about her and more about the interactions Handa has with the adults of Tokyo.

For starters, Yoshino-sensei introduces Ojou, a college student working part time for the Kawafuji business. She’s also the girl Handa was asked to consider as a marriage prospect. After Handa turned the proposal down, I didn’t think she’d be mentioned again, let alone make an appearance. However, she is quite unlike her photo and, despite certain shortcomings, can hold her own in the art business world. Except for Kawafuji, Handa hasn’t had much opportunity to hang out with people his age, and as he and Ojou interact, we get a pretty good idea why he doesn’t have a girlfriend.

Then on the professional end of things, Handa meets the representatives for the major hotel project his father is working on as well as a young calligrapher just starting his career. Because Handa has been producing commissioned works and participating in contests (and is the son of a master calligrapher), I assumed he knew what a career as a calligrapher would entail. This trip to Tokyo shows just how much he doesn’t know about the art business. While Naru does have the opportunity to cause her particular brand of mayhem away from home, these chapters are less about her city experience and more about Handa’s reflections on the trajectory of his life.

However, the village isn’t completely left out of this volume. Kanzaki runs away to the village, supposedly to get away from “society’s strictures,” and Handa gives the kid permission to stay at his house while he’s in Tokyo. Thus the island gets another city boy in Handa’s absence. Kanzaki though is less of a clueless urbanite than he is an annoying, whiny one, and poor Hiroshi gets saddled with the brunt of Kanzaki’s damage.

Extras include two bonus manga, translation notes, and another installment of “Barakamon News.”

In Summary

Handa finally gets his chance to show one of the villagers around his home turf. However, this arc winds up less about city versus county life and more about the direction of Handa’s life. Naru displays some of her usual kiddie antics, but for the most part this arc is an intriguing glimpse into the demands on a professional artist and the relationship possibilities for Handa’s personal life.

First published at The Fandom Post.