Sword Art Online was undoubtedly one of the most popular anime of 2012. Based upon a series of light novels by Reki Kawahara, SAO’s near-future characters, gorgeous fantasy setting, and life-or-death stakes drew an enthusiastic fan following. Yen Press has released Volume 5 of the Sword Art Online: Progressive manga adaption, and you can read on for the review. (For my review of other Sword Art Online manga, click here.)
Back Cover Blurb
It’s time for the ‘real’ SAO–the third floor! Kirito and Asuna are hardly out the door when they stumble upon the start of the Elf War quest. When they decide to side with the elite dark elf Kizmel, they’re set on a path that will push them harder than ever before. But together, nothing can stop them…right?
A brand new arc begins as Kirito and Asuna step onto the third floor. To start, we have a sweeping change in cast. Except for Kirito and Asuna, everyone we’ve met thus far–Agil, The Rat, the Legend Braves–exits the stage, and new characters enter the story. However, these aren’t fellow players trapped in Kayaba’s death game. They’re NPCs.
NPCs of the Elf War quest to be exact. Unlike the rock smashing quest of the previous volume, this campaign lasts several floors and requires players to choose a side. Thus, our heroes align themselves with the dark elves and their female knight Kizmel. Our resident “beater” Kirito continues to guide newbie Asuna by explaining the quest’s general framework, but like so many other things in SAO, this quest has changed since the beta. For one, the NPCs’ AI has improved so drastically that their interactions are near indistinguishable from those of real people. For another, the script isn’t nearly as rigid as the beta’s. As such, Asuna regards Kizmel like an actual person and plunges them down a quest route that Kirito didn’t think possible.
Given that this is the “Elf War quest,” there are plenty of battle scenes. Along with elves, giant falcons and wolves dive into the fray, which makes for interesting action. However, this conflict has nothing to do with humans (i.e. the trapped SAO players). All the passion driving this drama belongs to the NPCs, and the creators dedicate an entire chapter to the dark elves’ backstory (which the players never actually witness). While Kizmel’s tale of loss is gripping, this history–as Kirito reminds Asuna’–isn’t real past events but a mere construct of the game.
This brings Progressive to an interesting point. Before, the players’ life and death struggle dominated the plot; now the story centers on characters who were never alive to begin with. While it does demonstrate how elaborate the SAO world is, having Kirito and Asuna get sucked into the NPCs’ story makes it feel as if the creators have run out of ideas for our hapless trapped humans and are falling back on pure fantasy.
Speaking of fantasy, Kizmel is, as Asuna aptly puts it, “most definitely a male-created fantasy.” Between her, her late sister Tinel, and Asuna, the creators have plenty of material for fanservice. The bathing tent scene in particular lays it on thick. While it does also include comedy at Kirito’s expense and unexpected relationship advice from Kizmel, it’s really just an excuse to show Asuna and Kizmel naked in a tub together.
Extras include the title page and table of contents in color and bonus illustrations.
The human co-stars leave the stage and a lineup of NPCs take their place. In treating the NPC Kizmel as a real person, Kirito and Asuna get swept into her narrative of revenge. While it is an engaging tale, it also takes the attention away from the human players’ life-or-death dilemma, which leaves me, like Asuna, wondering how emotionally invested I should get with these elves.
First published at the Fandom Post.