Tag Archives: viz media

Manga Review: Oresama Teacher Vol. #23

Mafuyu is a high school delinquent who wants to turn over a new leaf. So when she transfers schools, she thinks she’ll finally be able to live the life of a normal girl. There’s just one problem: her teacher  Mr. Saeki is a bigger delinquent than she is!

Oresama Teacher is a shojo manga that offers humor of the silly variety. Volume 23 has  been released, and you can read on for the review. (For those who are interested, you can click here for my reviews of earlier volumes).

Back Cover Blurb

It’s Mafuyu’s last year of high school! With Miyabi and most of the delinquents safely graduated, Mafuyu and her friends are looking forward to a peaceful final year. But a mysterious new first-year is up to something sinister, and her schemes quickly take Mr. Saeki out of the picture. Now the fate of the whole school rests on the shoulders of the suddenly advisorless Public Morals Club!

The Review

The lengthy arc between the Public Morals Club and Student Council has ended. However, Mafuyu still has a year remaining in high school, and the outcome of the bet between the Director and Takaomi has yet to be determined. And so, new challenges arise just as the majority of delinquents and former PMC adversaries graduate from Midorigaoka.

The first of the Public Morals Club’s new enemies is Toko Hanabusa, Miyabi’s younger sister. She looks like Miyabi with long hair, and like her brother, she seems to have a secret agenda no one knows about. Oddly enough, Miyabi comes to the PMC’s assistance, providing them with background information about Toko. Those who enjoyed the peculiar dynamics of Hayasaka’s family will likely enjoy the glimpse into the Hanabusa siblings’ upbringing.

While it is a hackneyed move to replace one adversary with his younger sibling, the introduction of Toko does lead to an astonishing development: Takaomi’s resignation. His disappearance results in unexpected laughs as Mafuyu attempts to locate him, but it’s really the first in an avalanche of new circumstances for the PMC. Even as they try to figure out why Takaomi left and whether Toko’s up to anything, they wind up stuck with a new advisor, confronting rumors of Midorigaoka gang activity, and drawing the ire of the Kiyama High students.

It’s a lot to take at once. While you’re getting to know newly hired teacher Mr. Maki, you’re having to recall Kiyama’s contentious history with Midorigaoka from several volumes back. In addition, there are a bunch of rumors and brawls to keep track of. While it’s great that Tsubuki-sensei is launching into the PMC’s next round of adventures, processing all these details is like trying to drink through a fire hose.

Extras include Characters and The Story Thus Far, 4-panel comics, and closing notes.

In Summary

Mafuyu begins her senior year with lots of changes and brand new challenges. Tsubaki-sensei maintains humor throughout the volume, but events stack up quickly one after the other. Between new characters stepping in, the reappearance of ones we haven’t seen in a while, and a complicated mystery for the PMC, it is a fast—and almost overwhelmingly so—start to the series’ next major arc.

First published at the Fandom Post.

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Manga Review: Everyone’s Getting Married Vol. 8

Most romances in Viz Media’s Shojo Beat line are targeted toward a high school audience, but Everyone’s Getting Married is actually aimed toward older readers. It’s twenty-something angst instead of teen angst, and you can read on for the review of Volume 8. (For the reviews of previous volumes, click here.)

Back Cover Blurb

Successful career woman Asuka Takanashi has an old-fashioned dream of getting married and becoming a housewife, but popular TV newscaster Ryu Nanami would rather die than ever get married. Asuka and Ryu start their long-distance relationship, but the difficulties of being apart grow day by day. Will their feelings for each other still be the same when they meet again?

The Review

Ryu’s transfer to America appears to be the ultimate challenge for our lead couple as Miyazono-sensei starts stacking difficulties hard and fast once he’s abroad. Not surprisingly, the trip Asuka’s anticipating at the end of Volume 7 gets canceled due to Ryu’s hectic work schedule, but Asuka also suffers a surprising blow to her career. A higher-up overhears her telling Hiroki she still wants to be a full-time homemaker. The next thing she knows, that higher-up removes her from the management strategy team with well-wishes that she’ll be married soon.

For all intents and purposes, it is a demotion. What makes it worse is that everyone’s congratulating her on the marriage she desperately wants but remains beyond her grasp. In addition, the distance is hard on Asuka, and you can feel her loneliness overflowing from the pages.

Ryu, on the other hand, is doing extremely well in America. Even though he misses Asuka, he has a lot to distract him, and he clearly prioritizes his work over their time together. At one point, Asuka travels to Washington expressly to visit Ryu, and despite the fact that they haven’t seen each other in six months, he ditches her to go to New York on assignment.

It’s clear the situation is hurting Asuka while Ryu isn’t nearly as affected. In fact, you might argue that he has everything the way he wants, considering he refused to let Asuka move to America with him. As such, I’m hardly inclined to cheer their relationship on; rather I want Asuka to dump Ryu and hook up with Kamiya already.

Kamiya, by the way, looks really good in this volume. He is Asuka’s shoulder to cry on when Ryu fails to understand why losing her management team position hurts so much. He’s too much of a gentleman to take advantage of Asuka’s neediness when she turns to him for company. And he’s the one person to call Ryu out on the strain he’s placing on Asuka. While every good romance can use a love triangle for tension, at this point I’m thinking Asuka’s stupid not to snatch Kamiya up.

Extras include the story thus far, two bonus manga, and author’s afterword.

In Summary

Ryu wasn’t looking too good as a boyfriend in Volume 7, and he looks even worse in this volume. While his career is going great, Asuka suffers a setback due to a casual remark about marriage, and the emotional toll of separation makes things worse. It’s the perfect setup for Kamiya to come in and entice Asuka away from his rival. However, because Ryu’s treatment of Asuka is so dismal in comparison, it feels less like a love triangle and more like Kamiya’s stealing the show.

First published at The Fandom Post.

 

Manga Review: Everyone’s Getting Married Vol. 7

Most romances in Viz Media’s Shojo Beat line are targeted toward a high school audience, but Everyone’s Getting Married is actually aimed toward older readers. It’s twenty-something angst instead of teen angst, and you can read on for the review of Volume 7. (For the reviews of previous volumes, click here.)

Back Cover Blurb

Successful career woman Asuka Takanashi has an old-fashioned dream of getting married and becoming a housewife, but popular TV newscaster Ryu Nanami would rather die than ever get married. Asuka and Ryu just moved in together, but at work Ryu is being considered for a transfer to Washington, D.C. Will Ryu accept the offer?

The Review

Ryu and Asuka’s new living situation has Kamiya practically on their doorstep, which might lead to anticipation of fiercer competition between the two rivals. However, the plot takes a different turn. Instead of facing off against Kamiya, Ryu leaves the fight when a promotion sends him to America.

The assignment is supposedly for several years. Asuka immediately offers to quit her job to go with him, and indeed it seems the obvious thing to do considering her dream is to be a full-time homemaker. However, even though Ryu tells her “being with you is my life now,” he insists that she stay in Japan. And Asuka… acquiesces without argument.

Thus we have three chapters of Ryu and Asuka making the most of the time that they have left before Ryu moves. Asuka shoves aside doubt to offer absolute support for Ryu’s decision, which is somewhat unbelievable. Her relationship with Ryu is getting further and further from the marriage she dreams of. She’s already in her mid-20s, and her previous relationship lasted five years and ultimately went nowhere. With a separation of several years looming, it seems improbable that she wouldn’t consider the consequences if she invests all that time into Ryu and things do not work out.

As for Ryu, he’s not so dense to think that Asuka doesn’t need assurance, but the way he goes about it falls flat. The nuances of Japanese engagements went over my head when Ryu takes Asuka to his parents’ home, but when he offhandedly says, “It should be fine if it’s just in spirit,” it sounds like he’s just tossing Asuka a bone. Add to that the cocky way he informs Kamiya about the transfer and declares,” I won’t make her cry,” and I’m really thinking Asuka should dump him.

Thus, career demands once more separate our couple. But not only is Ryu physically away, Asuka’s work promotion causes her to seek advice from Kamiya. Then little brother Kaneda comes over for winter break and starts voicing his disapproval at the situation. Everything’s getting set up for Kamiya to make a grab for Asuka, and unless Ryu drastically changes his time, I’m rooting for Team Kamiya.

Extras include author’s afterword.

In Summary

Work once again separates Ryu and Asuka, this time in the form of a long term assignment in Washington DC. The obvious solution is for Asuka to go with Ryu, but he vetoes that option in favor of a long-distance relationship neither wants. We have the usual date/bedroom moments to illustrate how badly they want to stay together, but Ryu’s minimal concessions to assure Asuka of his commitment paint him as a selfish jerk.

First published at The Fandom Post.

 

Manga Review: Master Keaton Vol. #12

I became an instant fan of Naoki Urasawa in 2004 when I saw the Monster anime. Psychological thrillers are definitely NOT my cup of tea, but he had me hooked with his combination of realistic artwork and gripping plot. As such, I was thrilled when Viz Media decided to release a translation of an earlier Urasawa action/adventure: Master Keaton. Read on for the review of Volume 12. (For my reviews of previous volumes, click here.)

Back Cover Blurb

“If you have the willingness to learn, you can learn anywhere.” With this message from his old teacher in his heart, Taichi Hiraga Keaton finally lands in Romania, where ruins of the Danube civilization lie. Yet, what awaits Keaton is a major horrifying event that shocks the entire nation!

The Review

The vast majority of this series has focused on Keaton’s external challenges, and most stories have been brief, unrelated arcs. However, for the finale of Master Keaton, the creators pull out all the stops to present a volume-long arc centered around Keaton’s dream of excavating the Danube.

Keaton has mentioned his theory of a yet-to-be-discovered Danube civilization on occasion, but in Volume 12, he has his theories formally written into a paper and is trying to gain the academic backing necessary to launch an archaeological excavation. His previous attempts at a faculty position were like a long-running joke, but this time there’s real pathos as Keaton struggles to choose between his aspirations and the restrictions of a conservative university department.

His ultimate decision drives all the subsequent action in the volume. Although that action includes everything from tracking down a lost 20-carat ring to defending a Romanian village from mortar fire, his single-minded determination toward his goal not only holds the wide-ranging narrative together, it allows readers to connect with Keaton on a deeper level. He solves mysteries and clashes with Mafia and former Secret Police like usual, but now that Keaton has something truly personal at stake, he and the story are much more engaging than when he was fixing other people’s problems. Indeed, other people band to help Keaton out of his scrapes, including childhood pal Charlie Chapman and retired Detective Hudson.

The arc’s one minor plot flaw is the ease by which the characters communicate. Keaton’s adventures take him to a remote Romanian village, and while his skills set is eclectic enough to include fluency in Romanian, I doubt Chapman and Hudson can claim the same. Otherwise, it’s a seamless wild ride as Keaton’s search for an artifact’s origins gets him tangled in a more sinister hunt for a former dictator’s hidden fortune. While there are several layers to the political intrigue, the creators’ artful storytelling keep the reader well abreast of the complex plot.

For those familiar with Urasawa’s subsequent work Monster, Master Keaton’s final chapters contain several elements also found in Monster—a post-Cold War Eastern European setting, corrupt government officials, underworld bosses, prostitutes, and a boy that latches onto the main character. So if you liked Monster, you’ll probably enjoy this last installment of Master Keaton, and vice versa.

In Summary

It’s the final installment of Master Keaton, and the creators do an excellent job weaving all its myriad aspects into a thrilling volume-long arc. So whether you’ve enjoyed the series for its action, sleuthing, political intrigue, or archeological treasure hunting, you’ll find something to like as Keaton strives to make his archeological dreams a reality.

First published at the Fandom Post.

Manga Review: Behind the Scenes Vol. #4

There are a LOT of anime and manga centered around glamorous idols and movie/TV stars, but what about the humble folk that do the grungy, tedious work behind the camera? The unseen teams charged with creating film sets, costumes, and props are the subject of Bisco Hatori’s Behind the Scenes!! Viz Media has released Volume 4, and you can read on for the review. (Reviews of previous volumes can be found here.)

Back Cover Blurb

Ryoji Goda is everything Ranmaru wishes he could be — self-assured, competent and cool. But when the Art Squad works the final film camp of the summer, Ranmaru gets to see a whole new side to his idol — disappointing son! Goda’s dad seems to criticize everything his son does, and they fight constantly. Finally Ranmaru and Goda have something in common! But the pressure of paternal disapproval pushes Goda to do something shocking that might change the Art Squad forever…

The Review

The stories in this series have been dominated by various film- and director-related challenges for the Art Squad. Volume 4 also contains problematic film directors (indeed, the Squad’s yet to encounter one who’s a competent and reasonable human being), but Hatori-sensei takes a slightly different angle by focusing on the Squad members’ family backgrounds. The first is a single chapter arc about Ranmaru’s family—not the aunt and cousins he boards with but his fisherfolk parents and sister. The setup is a bit farfetched: a director bails on his own project to drown his sorrows in Akihabara, and the Squad are the only members of the entire cast and crew who care enough to hunt him down. In the midst of what feels like an Akihabara tour, the topic of Ranmaru’s family pops up randomly. Then, just as randomly, his parents and sister pop up in the flesh. While wacky characters are a mainstay of this series, Ranmaru’s family goes way off the deep end.

Hatori-sensei does much better with the next arc: two chapters about Goda and his Buddhist priest dad. The Squad’s next shoot takes place in the temple run by Goda’s dad, but that proves more of a hindrance than a help. Apparently, father and son are at odds because Goda refuses to be his dad’s successor. To make things worse, the film director is a childhood acquaintance who’s buddy-buddy with Goda’s dad. While Goda’s family background came as a surprise, it actually works well in explaining his personality. Young Goda’s tonsure photo is pretty funny, too. In terms of the filmmaking aspect of the story, it does a good job explaining the role of an assistant director even though Goda’s abrupt switch from Art Squad to assistant director is a stretch.

Finally, we have the school festival arc! This, like the craft workshop, is a fundraising opportunity for the Squad. Unlike the craft workshop, however, Goda doesn’t limit his team to art-related work. As such, the Squad members get hired out for all manner of activities. In the midst of all the festival contests and booths, we get more background on carefree Izumi, thanks to Soh’s growing attraction toward him. As it turns out, Izumi is more complicated than he appears, and the more we learn, the more improbable it seems that Soh’s feelings will be reciprocated. However, Soh’s crush on Izumi and Ranmaru’s crush on Ruka are the things that keep me wanting to read on at the end of the volume.

Extras include (cute) photos of the dango featured in the festival arc, embedded notes from the creator, glossary, and author bio.

 

In Summary

It’s the family installment of Behind the Scenes!! The Squad members are pretty weird, and now we get a look at the families and circumstances that made them so weird. Ranmaru’s backstory is simply odd, but the dynamic between Goda and his equally fiery Buddhist priest dad is fun to watch. We get fewer details on Izumi, but it’s enough to completely reshape your perspective on the Squad’s resident chick magnet.

First published at The Fandom Post.

Manga Review: My Love Story!! Vol. 13

Takeo Goda, the male lead for Viz Media’s  My Love Story!!  is quite unusual. Bishonen tend to dominate the cast of shojo manga, but Takeo’s looks are about as far from a stereotypical pretty boy as you can get. Still, he possesses tremendous appeal in this hilarious romantic comedy. The final volume has been released, and you can read on for the review. (For my review of other volumes, click here.)

Back Cover Blurb

Yamato initially accepts that she has to move to Spain with her family, but her feelings for Takeo are so strong that she runs away from home! Takeo follows her with the intention of bringing her back, but what will he do when he faces a heartbroken Yamato? And just how will Takeo’s love story end?

The Review

Volume 13 is the last volume in the series, and in it, Takeo and Yamato face their greatest challenge yet: the long distance relationship! The previous volume dropped the bombshell announcement that the Yamato family was moving abroad, and I anticipated some convoluted plot twist that would allow our main couple to stay together. Well, the impulse trip to Okinawa concludes with warm and fuzzy moments but no miracle solution. And so… Yamato leaves Takeo for Spain.

Fortunately for Takeo, he gets a lot of moral support in her absence. Many series finales include a kind of curtain call with the entire cast, and in the last three chapters, several characters we haven’t seen in a while pop up to give Takeo encouragement. Some of these encounters are more forced than others, like Yukika’s gift bag to Takeo, but they do get the message across that everyone, even former rivals in love, want Takeo and Yamato to stay together. As usual, the lion’s share of support comes from Suna. Thus, we get a bunch more best friend bonding scenes with the two guys. Two scenes in particular (the overnight stay at the hostel and the ring purchase) had me laughing out loud, and I dearly wish I could see them animated.

The final arc, with Takeo and Yamato’s relationship breaking under the strain of distance, could be seen coming from a mile away. And while it is sweet to see Takeo pondering Yamato’s importance in his life and hilarious to see the Takeo effect in a foreign country, there’s never any real doubt that the two will reunite. However, they certainly patch things up in the flashiest way possible, paving the way for a feel-good ending that neatly wraps up the series.

Extras include story thus far and final notes from the creators.

In Summary

My Love Story!! reaches its happy conclusion! While the unique cast has never failed to earn laughs (especially those awkward Suna/Takeo moments), the story arcs have been starting to lack originality. As such,Volume 13 is a good place for the creators to call it quits, what with our characters graduating and Takeo’s love life seemingly assured for all time.

First published at The Fandom Post.

Manga Review: Master Keaton Vol. #11

I became an instant fan of Naoki Urasawa in 2004 when I saw the Monster anime. Psychological thrillers are definitely NOT my cup of tea, but he had me hooked with his combination of realistic artwork and gripping plot. As such, I was thrilled when Viz Media decided to release a translation of an earlier Urasawa action/adventure: Master Keaton. Read on for the review of Volume 11. (For my reviews of previous volumes, click here.)

Back Cover Blurb

After the Cold War draws a curtain over Europe and the economic bubble bursts in Japan during the late twentieth century, ace insurance investigator Taichi Hiraga Keaton brings his skills into full play… No matter how difficult the case, Keaton will not miss a clue!

The Review

The quality of the Master Keaton stories has gone up and down since the early volumes, and in Volume 11, it’s more down than up. The one solid story is the three-part “Made in Japan.” Daughter Yuriko, now 17, reappears as she and her dad meet up for quality time in Scotland—at an archeological tour. The story combines several things: their parent-child relationship, Keaton’s unfulfilled dreams of being an archaeologist, his SAS skills, and Keaton’s dangerous career impacting his family. This last element is a situation we haven’t encountered before, and that makes it more gripping than the usual scenarios where Keaton is a passerby.

Domestic drama figures largely in the other stories, but Keaton isn’t personally involved so it’s a bit like watching episodes of unrelated soap operas. In “The Final Challenge,” an old schoolmate asks Keaton to track the whereabouts of another schoolmate, but the story is really about the tangled family situation the two men created. “Lost Beyond the Wall” is partly a commentary on the former East Germany after reunification, but it’s mostly Keaton driving a man around as he expresses his regret about how he ruined his family. “Love from the Underworld” begins as a mystery but quickly turns into a tale of another broken family, and when Keaton reveals the trick behind the” ghost,” you have to wonder why anyone was fooled. Wacky Mrs. Barnum shows up again in “Return of the Super Sleuth?!” and as in her previous appearance, the murder she investigates with Keaton is just a platform for her to nag about how he doesn’t understand romance and women. Keaton doesn’t have a part at all in “Two Fathers,” which features his dad instead, but that story is really about two brothers and which fathered the child of the woman both men loved.

While the two-part “Pact on Ben Tan Mountain” also contains an extramarital affair, the greed and grudge motivating the murders lend it additional substance. Unfortunately, there is too much coincidence in the chain of events to make it a satisfying read, especially the way Malcolm proposes the murder pact but Jackson is the one to take advantage of it. In addition, there are so many characters crammed into the story that I had trouble keeping all the names and connections straight.

Extras include four pages in color, four pages partly in color, and a sound effects glossary.

In Summary

Spunky young Yuriko joins her father for bonding time. While their archaeology tour tuned kidnapping makes for an exciting episode, the same can’t be said for the other stories. They’re not so much about intrigue or Keaton’s unique skills as they are about muddled domestic situations, making this volume feel more like a soap opera than a collection of mysteries.

First published at the Fandom Post.

Manga Review: My Love Story!! Vol. 12

Takeo Goda, the male lead for Viz Media’s  My Love Story!!  is quite unusual. Bishonen tend to dominate the cast of shojo manga, but Takeo’s looks are about as far from a stereotypical pretty boy as you can get. Still, he possesses tremendous appeal in this hilarious romantic comedy. Volume 12 has been released, and you can read on for the review. (For my review of other volumes, click here.)

Back Cover Blurb

Tanaka, a boy who transferred to Takeo’s school, keeps hanging around Sunakawa for some reason. At first, Takeo thinks nothing of it, but when he hears that Tanaka is just using Sunakawa, he immediately goes to help his friend! And later, Takeo finds out some distressing news from Yamato! Will Takeo and Yamato actually be separated?

The Review

It was initially unclear where the plot was going with the introduction of fashionable transfer student Tanaka, but it winds up a hilarious arc that shows a hitherto unseen aspect of both Takeo and Suna. Takeo’s strong point since the very beginning is his popularity among other males, and Tanaka’s the first guy we’ve seen (other than the groper) that dislikes him. However, Takeo’s clashed with other boys before and actually has a proven strategy for turning enemies into friends. To be sure, this strategy is the sort a grade school kid would rely on, but that’s okay because Suna is acting a bit childishly as well. Suna’s definitely the most mature character in the cast, and despite all the crazy stuff Takeo drags him into, he’s never gotten really mad. Now we get to see what Suna is like with someone he seriously dislikes.

Meanwhile, Tanaka is a much more typical teenager, insecure in his relationships and obsessed with looking good on social media. I’m not sure if Tanaka’s chat group lies are meant to be social commentary, but when the three go out for a day trip and Takeo takes all of Tanaka’s posts at face value, the results are a riot. I’m not a fan of Aruko-sensei’s particular art style, but the expressions in this arc deliver huge comedic impact nonetheless, and I really wish I could see these chapters animated.

Then it’s back to Takeo’s love story and the next challenge for our main couple: the Yamamoto family is moving–to Spain! The announcement takes everyone by surprise, and although he’s crushed by the news, Takeo does his best to be a supportive boyfriend and reassure Yamato of his commitment to her even while they’re apart. Thus, Yamato’s last days in Japan go pretty much as one would expect–until she runs away from home! It’s a shock to everyone, Takeo included. But even though she’s been portrayed as a model daughter, her actions–though drastic–are not out of character. Still, it’s anyone’s guess how this arc will end, and I look forward to its resolution.

Extras include story thus far, two sizable bonus chapters, and notes from the creators.

In Summary

My Love Story!! hits another one out the park! As Takeo discovers, Tanaka is using others to achieve his own shallow goals, which sparks a near rampage out of our main character. However, what’s even funnier is Suna’s reaction when Tanaka airs his unfiltered thoughts about Takeo. It’s male bonding magic when self-absorbed superficiality collides with earnest friendship!

First published at The Fandom Post.

Manga Review: Everyone’s Getting Married Vol. 5

Most romances in Viz Media’s Shojo Beat line are targeted toward a high school audience, but Everyone’s Getting Married is actually aimed toward older readers. It’s twenty-something angst instead of teen angst, and you can read on for the review of Volume 5. (For the reviews of previous volumes, click here.)

Back Cover Blurb

Akito Kamiya has found out that Ryu and Asuka have been dating away from the public eye, but he hasn’t given up his pursuit of her. Ryu means to keep Kamiya in check, but instead a direct confrontation erupts between them!

The Review

The previous volume ended with Ryu and Kamiya looking like they’re about to brawl it out. However, this is an adult cast, and while boys might knock the snot out of each other over a girl in shojo manga, grown up men apparently handle such disputes by going to a bar and making snarky remarks over drinks. It wasn’t the clash I’d anticipated, but Kamiya’s comments do get under Ryu’s skin in a way that shakes his confidence.

Kamiya doesn’t let up either. He continues to finagle ways to be alone with Asuka, even coercing a date by threatening to make her relationship with Ryu public. Although Kamiya’s reasons for choosing her were coldly calculating, he’s not nearly so logical about accepting her refusal. While this might seem like a character inconsistency, Kamiya’s personality is so aggressive that it’s not. It’s questionable whether his feelings for Asuka can be accurately termed “love,” but his actions are certainly those of a competitive man who hates to lose.

And how does Ryu secure his claim on Asuka with such a rival? Sex and lots of it. The last volume was light on the bedroom scenes with rivals Kamiya and Yuko distracting our couple. Now Ryu’s pawing Asuka’s clothes off every time she has a run-in with Kamiya. As usual, the scenes aren’t too graphic, but Ryu does come off as inexhaustible the way he pounces on Asuka despite his supposedly grueling work schedule. And when Kamiya buys Asuka a pair of Altier earrings, Ryu responds with a spur of the moment trip to Kyoto and his own gift to Asuka. No, it’s not a wedding ring, but we do get to see our main couple in a traditional setting and relaxing for once.

Meanwhile, Yuko doesn’t do much in this volume. In fact, she looks like she might be dropping out of the love square entirely. Never fear, a new PTV character gets introduced as she steps away. Yuma Shimizu is a rookie reporter on Ryu’s news show. Although he’s definitely not a love interest for Ryu, he brings out a side of Ryu we haven’t seen before, and it remains to be seen how exactly he will affect the plot.

Extras include a 6-page mini-manga about Ryu.

In Summary

It’s two alpha males vying to get the girl in this volume. Kamiya takes every opportunity to monopolize Asuka, and in the face of such pressure, Ryu must bring his A-game to compete. Most of that involves sex, but based on their trip to Kyoto, perhaps wedding bells aren’t just wishful thinking on Asuka’s part.

First published at The Fandom Post.

Manga Review: Master Keaton Vol. #10

I became an instant fan of Naoki Urasawa in 2004 when I saw the Monster anime. Psychological thrillers are definitely NOT my cup of tea, but he had me hooked with his combination of realistic artwork and gripping plot. As such, I was thrilled when Viz Media decided to release a translation of an earlier Urasawa action/adventure: Master Keaton. Read on for the review of Volume 10. (For my reviews of previous volumes, click here.)

Back cover blurb

Taichi Hiraga Keaton is a busy insurance investigator who yearns to make a living as an archaeologist. Just how long does he have to continue working as an investigator? Keaton is uncertain of his future, but he does know that a string of difficult cases awaits him!

The Review

Those who enjoyed Urasawa-sensei’s Monster will like Volume 10′s two-part tale, The Village that God Loved. It’s got the elements of a good thriller–a seemingly peaceful village, detectives after a criminal on the loose, bizarre ”accidents.” It even has a creepy looking kid (whose expression is extremely reminiscent of Monster’s child twins) watching the events unfold. Because Keaton is involved, medieval history also gets worked into the story in a way that aids his escape from some tricky situations. Between the attacks on the detectives and the mystery shrouding the remote community, it’s a tight, engaging read.

The volume’s other two-part story Resident of a Lightless World also contains elements in common with Monster. Set in former East Germany, it has a cast that includes communists and Nazis, and bloodshed abounds with a serial killer on the loose. Ancient artifacts play a role, but a more recent antique and modern political history are the keys that help Keaton solve this case.

The rest of Volume 10 is an assortment of one-shots. Two involve novice investigators poking their noses into an assignment. In these situations, Keaton usually winds up bailing out the amateur, which is what happens in Volunteer Detective. However, in An Incident Among Women, that dynamic gets shifted around. Not only does the pushy old woman keep up with Keaton, she shows him a thing or two, and even though it involves a murder, the story is largely comedic.

For those who favor chases from armed bad guys, Keaton crosses paths with a target of the Russian mafia in Immortal, and in Detour, he protects a client hunted by former agents of the Romanian secret police. The remaining stories are largely misadventures that arise during Keaton’s personal time. Sadly for Keaton, a university position remains but a dream, and the only teaching he does in this installment is tutoring a rebellious child in Keaton the Home Tutor.

Extras include a sound effects glossary.

In Summary

Fans of Urasawa’s Monster will find much to enjoy in this installment of Master Keaton. A quarter of the tales involve the shadowy dealings of former Eastern European officials, and another story set in a remote village serves a delicious blend of of intrigue and action along with one really creepy looking kid. Our SAS-trained investigator contends against adversaries ranging from fanatical villagers to Russian mafia, but if you’re wanting to see Keaton at a lecture hall or archeological dig, you’ll have to look to another volume.

First published at the Fandom Post.